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And that ultimately was very close to what the final cut of the movie was."Untergang der Titanic" by Willy Stöwer, 1912 We had some thoughts early on about doing some animation things throughout the film, and the film was just so good on its own that we just didn’t need to do any of that. You just got a great movie, you don’t need to mess with it too much.” And I think it was a relief for all of us because of their animation background stuff. You got a great movie here, you don’t need to put any gimmicks or do anything on top of it. They just made the film a little different and I said to them, “Guys, just trust your movie. They went and tooled around with it and they did a bunch of stuff to it and they tried some things that I didn’t necessarily think made the film better. I remember we saw the first cut, we were all thrilled and then Chris and Phil said, let’s do a little more work on it. That doesn’t mean that we didn’t go on a bunch of circles before we came back to that. But I have to say, on Jump Street, the movie that was released is very, very, very close to that first director’s cut. Now, I gotta show them what their x-amount of dollars.
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I’m always just beyond nervous, because I convinced the studio gave me a lot of money and now here it is. It’s hard for me to see how it’s going to get better at that point. When I saw the first cut – I hate seeing first cuts, in fact, in the whole process of making movies, the first cut is always the worst day for me because I can only see different fractions of it. That’s the thing we’ve been working really hard on, just try and make sure that the heart of the first one is there for the second one. What worked so well about the first one was – it was funny, yes, there was good action, yes – but really what worked more than anything was that there was great heart.
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Now they’re actual partners, so they’re married – what happens once marriage starts? In certain ways, it’s kind of like the Seven Year Itch of police buddy comedies. The relationship developed quite a bit in the first movie and now we’re kind of in the marriage phase between the two guys. Now, I can’t tell you more than that because there’s some fun to be had in what college they’re going to and what’s going to happen. MORITZ: It leads off where we ended the last film and our guys are going to college. What can you tease people about the sequel, in terms of anything? You never really know until the studio officially announces it, and one of the highlights of CinemaCon for me, was seeing the logo for 21 Jump Street 2 2014. I’ve spoken to Jonah and Channing and they talked about doing the sequel. He noted that while the follow-up will have a larger budget, the focus is still on character: Moritz also added that they’re hoping to release the film in the summer next year, which is a huge vote of confidence from the studio. We’re supposed to start shooting in late September, early October.” Right now, we got a first draft that we’re pleased and the second draft is coming along. “ are attached to direct the movie, we’re actively developing the script with them. It appears that the scheduling is going to work out, as Moritz said the duo are attached to helm the 21 Jump Street sequel this fall: While they’re currently in production on the animated feature The Lego Movie, they’ve been adamant about the fact that they hope to do a live-action feature while the lengthy animation phase of Lego continues in Australia. Much of the offbeat humor of 21 Jump Street was facilitated by directors Phil Lord and Chris Miller (who also directed Cloudy with a Chance of Meatballs).